I’m heading down to visit the set of AMC’s newest series,Rubicon, and it’s a boiling hot day in New York City, so I’m not looking forward to spending the day in the heat, watching crew set up lighting, and actors repeat the same lines over and over. All I want to do is sit in front of an air conditioner with a gigantic glass of water, and never, ever think about anything, ever again. 

But I truck on anyway, following the directions AMC’s (super friendly, by the way) press people have given me. I get off near Wall Street, walk past the Seaport, and start heading right off the beaten path. When I finally find the location of the set, I see trucks outside, filled with equipment, and I know I’m in the right place – but this isn’t the right address, yet. Next to the truck yard is a nondescript building with no markings except the number, and man, sitting inside watching the World Cup on TV.

I poke my head in, and tell him I’m looking for the set ofRubicon...In broken English, he thinks for a second, and then gives me a shake of his head, he’s not sure what I mean. I explain this is the address of the shoot for Rubicon, I’m here to visit the set, and he then understands what I’m talking about – whatever combination of words I used was the right code: he tells me they’re all at lunch, but they should be back soon.

After a very short wait where I sit down on a rickety folding chair, blissfully basking in the air conditioning, the press reps enter and ask if I’ve been waiting long. Then they have me sign a few documents, basically stating that I won’t spoil anything I’m about to see (so, sorry guys, I can’t tell you how James Badge Dale’s character dies in the ninth episode), and it’s up a ramp, down a long hallway, and in to a rickety elevator.

And then the elevator opens, right on to the set for Rubicon, and...It’s an office. Just a regular looking office, sure, but in the middle of this broken down old building, with no exterior markings, there’s the office that Will Travers and his team of analysts work in. There’s documents scattered everywhere, maps of hot spots all over the world, and crew members busily setting up the next scene.

Point is – in case it isn’t clear from this description: they’re not just filming Rubicon, they’re living it.

The show, which viewers got a sneak peak of after the season finale of Breaking Bad (and which you can view online over at AMC’s site), is a puzzle box of mysteries, as Will Travers, played by James Badge Dale, tries to figure out just what is the secret, fourth branch of government. Or maybe not. That’s the thing about mystery shows: just when you think you’ve figured them out, they go ahead and surprise the crap out of you.

We won’t really know how much Rubicon will twist and turn until it officially premieres on August 1^st, and as I said, I’m not going to spoil what I saw here, but there’s a few impressions I got from the set that left me impressed with the scale, and the detail of the production. So back to our story.

The thing about the office set that’s so impressive is that it is an actual office. I know it doesn’t sound mind-blowing, because, you know, most of work in offices. But for a film set on TV, that’s a rare commodity. Most of the time, you’re missing a wall, so the crew can pull back the camera, or film around the actors. Or more often, there’s no ceiling, so they can properly light the scene from above. On Rubicon, they’re filming in an office they built, and it’s darn impressive looking.

When you walk to the back to visit some of the executive offices? You’re actually walking to the back of the office. When you walk up the stairs to go to the second floor? Same thing. It’s almost innocuous in its detail... Walking in, you think, “Oh well, this is just an office.” But that’s because the set designers have done such a fantastic job of making it a place that actually makes sense, and works.

After spending a little time poking around on the set, I got to go visit with James Badge Dale (you can watch that interview here), who is smart, funny, personable, and very passionate about his show. My favorite part of going to find him though? For those of you who watched the sneak peak, you know there’s a mysterious hallway Dale’s character ends up in towards the end of the episode. Not only are the elevators on set actual elevators, but there’s a second way into the hallway, and that’s by pressing a panel on the wall, which pops open a door, which lets you down to the lower levels of the set.

I’ll just reiterate for a moment: how cool is it that there’s a secret door on the set of Rubicon?

The other thing I’ll mention, and we are getting a little into spoiler territory here, but when I was interviewing Dale, he decided to chat in the room at the end of the hall. Again, for those of you who watched the sneak peak, you know there’s a long, foreboding shot of the door at the end of the secret hallway. I had rewatched the episode right before heading to set. So when Dale casually suggested walking through the door, my gut reaction was, “Are you sure? Won’t that be dangerous?”

Turns out, I shouldn’t have worried – and I won’t tell you what’s behind the door, other than to say, watch the video interview, and you may get a snippet of it. It’s certainly as well realized as everything else on the set, and major kudos to the set designers for that.

After interviewing James, it was back to the main floor of the set to watch a scene in progress. While there, I chatted with one of the writers, who had her kids on the set, which spoke a lot to the family nature of the crew. One crew member was knitting while the others chatted and teased her. Another was hanging out with the writer’s kids. And the whole time, whenever the director called action, they were right on the ball there, ready to go. It’s a friendly crew, but also an extremely professional one.

Watching the scene in question, the big thing I was struck by was how well lit the whole thing was. It’s really gorgeous to look at, and particularly when seeing the practical set they’re on – which is normally avoided because it’s a nightmare to light – I was even more impressed. It’s a good looking show, and it’s clear that everybody on the crew is working hard to make it as visually distinct as network-mates Mad Men and Breaking Bad.

As I left the set, and headed back out intp the blazing sun, it all started to fade a bit. Had I actually just been on the set of Rubicon? What had I really seen, after all? Maybe I was just imagining things, and wandering the streets of New York, delusional.

Or maybe... Just maybe... That’s exactly what they want me to think.

He's my boss. It could be that I spent two days trying to secure a restaurant reservation for his birthday lunch. Except, he never asked me to do that. And, he never gave me any reason to think he'd want to dine with me on his birthday.  But there I go, orchestrating a whole birthday celebration for a man who has nothing to give. However, it has been nine years. He should be ready. But who am I to think if he was ready that it would be me he'd be ready for? UGH! I want Sophie to have a dad. This is so catty I know, but I overheard him and Tanya in the hall trying to figure out a clue to the crossword puzzle. I figured it out, in pen, on the train that morning. Four leaf clover in Latin is marsilia quadfrolia. Satisfying to know that eight years of Latin has availed me nothing. Because I wanted to run out in the hallway and tell her. But I didn't. I didn't want to tell her, I wanted to tell him. But, like I said, I didn't. I should have. Maybe he likes her. Or maybe he doesn't like anyone, including me. And maybe I am totally out of my mind. Sophie just woke up. I have to go put her back to bed. Looking forward to another day of unrequited lust...


Source: Amctv.com

In this exclusive AMCtv.com interview, Rubicon star James Badge Dale talks about his own ability to keep secrets, growing up in a family of actors, and which cast member he thinks would make the best intelligence analyst.

Q: Since you've been working on the show, do you find yourself looking for a deeper meaning where you wouldn't before?

A: I have found that I'm a little more curious. I seem to be paying attention to certain signs, things on the street, looking over my shoulder a little more. Once we stop filming, hopefully, I can return to my ignorant bliss.

Q: What about superstitions? Do you have any?

A: I'm a little bit superstitious and I think that just comes from playing hockey. I won't avoid the number thirteen. A big one for me though is walking under a ladder. I've always felt like that's tempting fate. That's just throwing it right in their face. Check me out. I just walked under a ladder. What are you going to do about it?

Q: How are you at keeping secrets?

A; I'm a pretty private person so I'd like to say I'm a good ear and that I keep my mouth shut.

Q: And yet you chose a career that puts you out in the public.

A: Yeah. [Laughs] I'm trying to find a healthy way to deal with it. I have thought about that. Am I doing the right thing? I grew up in a family of actors. I grew up onstage. The choice for me wasn't do I want to be an actor or not? I always felt like that's just ingrained in you, the need to perform. The choice was do you want to do this professionally or not? If you are able to make a living at it, you lose some anonymity. I'm trying to maintain my privacy. I think I'm pretty good at it. When I walk down the street nobody knows who I am.

Q: How did your parents feel about you following in their footsteps?

A: There was definitely some hesitation. It's not exactly a steady job but my father is very proud. It's the family business so it works out.

Q: In what ways are you similar to your character in Rubicon?

A: I prefer the question, "How am I dissimilar to the character?" I'm going to probably think about 60 to 70 IQ points. I've had to draw on some experiences in my own life, and you should always do that for any character, but Will and I are fairly different. And I think that makes him enjoyable to play.

Q: Do you do crossword puzzles?

A: When I got the job, I started buying crossword puzzles. I get the Times everyday and I would sit down and do the crossword puzzle and I discovered that I share none of Will's talent for crossword puzzles. The Monday one, which is the easiest, takes me four days. It's just embarrassing and I quit. I'm retired from crossword puzzles.

Q: Is there anyone in the cast that you think would make a good intelligence analyst?

A: Dallas Roberts [Miles] I think could do it. Dallas has got that laser kind of focus but then will think out of the box, and his mind is always working. He can't shut it off. So, I think he's your guy.

Q: Do you read the Rubicon reviews? One writer said that you combine Harvey Keitel's intensity and Matthew Morrison's sweet good looks.

A: [Laughs] Oh listen, I met Matthew Morrison a few months ago. That dude is way better looking than I am. I mean I look like my face has been hit by a baseball bat a few times compared to him.

Q: Who do you think you look like?

A: I've always thought that I'm kind of a cross between a young Bill Clinton and Lyle Lovett. And I just want to say I'm proud of that. Those are two good looking guys.  People have told me that actually. First they would come up and be like, "You kind of got a Lyle Lovett thing going on," or some would say Bill Clinton. I combined them and people say, "Wait a minute. You're absolutely right." Give it some thought.

Will Travers stands atop the API building, peering at the cars and pedestrians below. Closing his eyes, he places both feet partway over the roof's ledge. He pauses a moment, then jumps back onto the roof.  appears to be watching from afar.

Tanya arrives at work, eyes bloodshot. In the women's restroom, Maggie hears her retch into the toilet.

In his office with Maggie, Will admits to feeling nervous about replacing David. "Don't be," she says. "Everyone's rooting for you."

Will visits the basement sanctum of Hal and asks for help researching the crossword patterns -- off the record. "That would be against the rules," Hal replies.

Will arrives late to Kale's office for an intake meeting. After the API teams receive their updated intelligence reports, Kale escorts Will upstairs to meet Spangler. "Don't let me down," says Kale. "I recommended you for this job."

Kale enters Spangler's office without Will. "How was D.C.?" he asks.

"Usual cockfight," Spangler replies. "Any more noise about the crossword thing?"

“Quiet as a mouse,” replies Kale before departing.

Spangler shows Will a photograph of the Russian missile broker Yuri Popovich with  and , although the latter two are currently unidentified, something Spangler wants remedied fast. "Twenty-four hours," he says. "Seem fair?"

"Very fair," Will responds.

At a law office, Katherine Rhumor attends the reading of her husband Tom's will. Her inheritance includes a townhouse that she was unaware her husband owned. Katherine also finds Tom edited his will the week before his death to leave her the  company.

Grant arrives late to a team meeting -- he was attending Career Day at his child's school -- and complains about the doughnuts Tanya brought. He prefers beignets. They need to concentrate on Popovich, says Will. "Why?" sulks Grant.

Katherine visits the townhouse and examines evidence -- a monogrammed bathrobe, books on the nightstands -- of his life there.

In the employee cafeteria, Maggie tells Will that Kale wants him to occupy David's office "to keep you closer." Will pays for Maggie's meal -- about as close as she's likely to get to a lunch date, she comments.

Eating with his team, Will learns that one of Popovich's companions has been identified as George Boeck. Will asks Grant about Career Day. "My kid thinks I'm unemployed," Grant grumbles.

"I tell my kids that I write secret video games," says Miles.

Hal informs Will that in 1983 multiple international newspapers published identical crossword clues. He hasn't determined who wrote them or why. "Keep looking," says Will. Hal objects that doing so could get him fired.

Katherine quizzes Tom's friend James Wheeler about the townhouse. "Tom wasn't cheating on you," he tells her. "Believe me."

"I really don't," she replies.

Will goes through David’s things packed in boxes and finds a picture of himself, his wife, his daughter, and David. Will then discovers a sheet of paper in David’s typewriter with letters typed in groups of three.

Will visits Ed Bancroft. "The morning of that train crash, David's car was parked in spot number thirteen," says Will.

"Impossible," Ed responds.

"Somebody else parked it, or he wanted us to know something was wrong," says Will. "What if he knew that train was going to crash?”

Will shows Ed the sheet of paper he found in David’s typewriter. "This is really old-school," says Ed. The letters correspond to a book's pages, lines, and letters. Ed admits that he wrote the crossword code. It was a go code.

"To start what?" asks Will.

Will applies the code to the road-food guidebook David gave him. "They hide in plain sight," the code spells out.

Walking by Miles's office, Will hears a television report about a Nigerian uprising. "No one listens,” says Miles, distraught as much that his advice on Nigeria was ignored as by his personal life. Will turns the TV off and recommends that Miles spend time with his family and return fresh the next day. After Will leaves, Miles turns the TV back on.

On the street, Will notices  following him. While walking home, he drops a rabbit’s foot that he had taken from David’s office as a memento, and, as he bends to pick it up, he narrowly escapes being hit by an out-of-control taxi. Working in his apartment, Will hears footsteps outside his door. He grabs a baseball bat, but the sound subsides.

A subdued Maggie meets Kale in a hotel room the next morning. "What you got for me this week?" he asks.

"Grant is jealous of Will," Maggie reports, something is freaking out Miles, and Tanya may have a "drinking issue."

Kale asks if Will seems "distracted by David's death, anything like that." Maggie says no. At the office, Hal informs Will that the 1983 crossword clues were published after the bombing of a marine barracks in Beirut. The day after the clues appeared, supporters of the Lebanese terrorist group Hezbollah, the attack's sponsor, disappeared. “Go code initiates revenge killings," says Will.

At her home, Katherine finds a four-leaf clover left for Tom by . "Lucky, lucky, lucky," she says.

James Wheeler expresses concern to a man he calls R.C. that Spangler is becoming overzealous. "He knows what he's doing," says R.C.

"He's getting older," says Wheeler. “We all are.”

Spangler interrupts a conversation between Will and Maggie. "You'll have something on my desk this morning regarding Yuri?" he says.

"Absolutely," Will replies.

Will meets with his team. Miles lies about relaxing with his family. Grant extols British colonial institutions, specifically their "standards of behavior."

"Doughnuts every morning?" chimes in Miles.

"Exactly," says Grant, just as Tanya appears with beignets.

When Grant responds flippantly to Will’s questions about Yuri, Will responds furiously calling Grant a "lazy, pompous piece of shit" and demands information by the end of the day. The team slinks silently away.

Will again stands atop the building. "Maybe he'll jump this time," says .

"No such luck," says .

"He's looking right at me," says .

"Relax," replies . "He's going back down."

A woman and three children play hide-and-seek in the snow outside a patrician brick mansion. Inside, her husband opens the morning paper and discovers a fresh four-leaf clover, which according to  means . Moments later, he points a gun at his head. Outside, his wife hears a single gunshot.

The same day in Lower Manhattan, Will Travers arrives at the American Policy Institute, a federal intelligence agency. Tanya MacGaffin, a fellow API analyst, asks for help solving a crossword entry. Will supplies the answer: Marsilea quadrifolia, the Latin word for four-leaf clover.

From his office window, Will observes a man (David Hadas) exit a car and sidestep the "13" painted on the adjoining parking space. Will's coworker Maggie Young enters his office and quizzes him about the date. It's his birthday, Will realizes. Maggie invites him to lunch.

Will and three other analysts -- Tanya, Miles Fiedler, and Grant Test -- enter a conference room. Grant chides Tanya for failing at what he considers her "most important job," remembering the doughnuts. David Hadas, the team’s boss, and the superstitious man Will observed, bustles in bearing the team’s assignments. Will's involves a Russian missile broker named Yuri,  and .

At lunchtime, Will declares himself too busy to join Maggie, then sets his work aside to peruse several daily paper's crossword puzzles. Later, he informs David he has found identical references to the three branches of government across several papers. The clover entry, Will theorizes, is related. "What or who does that fourth leaf represent?" he asks.

David dismisses the references as a joke among crossword editors, but notifies his boss, Kale Ingram. "Anybody else see this?" Kale asks. "No," replies David.

In the cafeteria, Miles and Grant give Tanya, a recent hire, the lowdown on her colleagues. Truxton Spangler, the agency's unapproachable director, for instance, eats cornflakes for lunch every day. "Why is Will Travers so mopey?" Tanya asks. Miles replies that his wife and child died on 9/11 and Will had been scheduled at the World Trade Center that morning, but arrived late. "He's never been late for anything since," Grant says.

Will grabs lunch at a street cart where David joins him. Will expresses doubts about his job and hints at resigning. David gives him a birthday present, a guide to road food. "I don't blame you for taking stock," says David.

The problem isn't his work, Will says, but rather being unable to discuss it. "That's the hardest thing in this job," David replies. David invites Will to dinner. Will declines. "Days like these," he says, remind him of his family. "I miss them too much."

As he departs, David hands Will an envelope and says, "Don't open it until you get home." Outside his apartment, Will opens the envelope to find a key attached to this note: "Drive away. Don't look back. It's time."

Will notices a Norton motorcycle parked curbside and calls David. "I can't keep this," he says. "I can hear you smiling," David replies. "Why now?" asks Will. David says that he'll explain everything in the morning. He's taking an early train out of Putnam station; Will is to meet him at a bar.

The next morning, a man dressed similar to David (but whose face is never seen) walks down a train's aisle. Seconds later, a train speeding in the opposite direction switches onto the first train's track.

Will drinks coffee at a bar. On the TV news, coverage of the death of the mansion owner, revealed to be Thomas K. Rhumor, is followed by word of a train collision near Putnam station.

Kale delivers the eulogy at David's funeral. David, it turns out, is Will's father-in-law. After the funeral, Kale offers David's position to Will, who expresses hesitation. "Think it over," Kale replies. “If your mind doesn't change, I'll accept your answer -- and your resignation."

That evening, Will sits in David's office. The phone rings. "Knight to king's bishop three," says the caller, who hangs up after realizing that David hasn't answered. Will locates a chessboard (inside a globe) with a game in progress. An inscription on the board reads, "From one pawn to another -- E.B."

Still that night, Will rings a doorbell. "Are you Ed Bancroft?" he asks the weary man who appears. "David's been killed," Will informs him.

Will tells him around the office that people say, "You were a genius at cracking codes, until the codes cracked you." Will presents the crosswords but Ed claims not to recognize them. "They showed up the day before David died," Will replies. "Coincidence?" Ed abruptly asks Will to leave.

As Will heads home, a man named  shadows him on the Putnam station platform. Will notices David's car in the lot. The man shadowing Will drives away. David's car is parked in space 13.

Will visits Maggie in her home, apologizing for the hour. The superstitious David would never have parked in space 13, Will maintains. "His remains were identified," counters Maggie. Will needs to accept David's death and move on.

At work the next day, Will informs Maggie that he's resigning. This ensures Grant's promotion, she replies. Miles corners Will later and insists that David would want him to "pick up the torch."

When Will unexpectedly accepts the position because , Kale reacts curiously and asks "What changed your mind?” "You know what? I don't care," he continues. "Let's introduce you upstairs." Upstairs, an aide tells Will that he’ll meet Spangler tomorrow.

Spangler disembarks a ferry and is driven to a country home in . He enters a meeting in progress. "Anybody double check that Tom is actually dead?" he asks. "He blew his brains out," replies . "I saw his body."

"Good," says Spangler. "We're back on track."

Below is a great new video on the shows real life inspirations. It looks at films and real world events that have inspired the creators. There is also some comments from the cast.

One of the more interesting comments from the video occurs when privatization of the U.S. government is mentioned. I strongly suggest you check out this great video about the show.

The New York Times currently has a Rubicon themed crossword puzzle on their site. Check it out here. The crossword will be up for another 2 weeks.

Will suffers a shocking tragedy. While he considers leaving his job at API, he begins to uncover clues that point to a sinister conspiracy. Katherine questions her billionaire husband's unexpected suicide.